Books and Stories · The World We Live In

Through the Magnifying Glass: Racism in Beloved Books

I have been thinking about and writing this post for about a month and a half. As a reader, parent, and writer, it’s one of the biggest elephants in the room when it comes to books. Racism and xenophobia are prevalent amongst some of my favorite authors, but what do we do about it? Chuck them in the burning pile?

This post really began back in March when I read L.M. Montgomery’s Further Chronicles of Avonlea. I have read and loved many of her books, but this one short story collection I hadn’t read before. In it I revisited not just one of my favorite author’s delightful writing style, but prejudices and xenophobia as well.

At the end of the book, full of Montgomery’s humorous mishaps, reunited lovers, and a few other items that belong in their own class, Tannis of the Flats is the tale of a woman in the wilds of Canadian frontier who falls in love with the man who spurns her for a Canadian-born woman.

Oh my.

If I wasn’t aware of Montgomery’s xenophobia before (such as Marilla’s insistence that they only get a Canadian boy, and I’m paraphrasing), this story couldn’t leave anyone in the dark. In the small town where the story takes place, the native peoples are called breeds, or half-breeds if their origin is mixed. There is the stereotypically lazy, no-good native man. Tannis is the ‘heroine’ of the story, referred to as a ‘half-breed’, and has been distinguished by some education in Prince Albert, but it has only served to add

[…] a very thin, but very deceptive, veneer of culture and civilization overlaying the primitive passions and ideas of her nature.

The next paragraph is worse and further illustrates the fact that even a good education cannot make one of these “breeds” into a respectable person, and that their intelligence and value is already determined by their ancestry. They are not the white person’s equal.

Notice how the white woman in the story, at her point of choice, is portrayed:

The good, old Island blood in Elinor’s veins showed to some purpose. “Yes,” she answered firmly. “No, Tom, don’t object-I must go. Get my horse-and yours.”

I’m not sure if that “Island blood” is Great Britain or P.E.I.(probably Great Britain), but it makes the point.

Tannis is the hero of the story, not primarily because of her deeds, but because she overcomes her nature, her ethnicity, which is apparently the source of her evilness:

In a white woman, the deed would have been commendable. In Tannis of the Flats, with her ancestry and tradition, it was lofty self-sacrifice.

Anybody ever said that about a white person’s ancestry? With the possible exceptions of references to socio-economic class, I don’t think so.

Now the first time or two I read Anne of Green Gables, Marilla’s comments went over my head. That’s not really surprising as I’m privileged, and it took a few more obvious examples of racism for me to pick up on it in Montgomery’s stories. I think it was Alicia Montressor from the story “The Red Room” in Among the Shadows that first opened my eyes. The brooding Italian boy Neil Gordon in Kilmeny of the Orchard is another glaring example.

You know the saying, the victor writes the history? I’d say the same is true for much of literature.

Little House in the Big Woods and all Laura Ingalls Wilders’ books hold a place in my heart as the first novels I ever read. Pa and Ma’s pioneer spirit is admirable and inspiring. But what kind of language is used to describe the Native Americans? It’s the kind that caused her name to be removed from a children’s literature award.

I love many of the characters in C.S. Lewis’s Chronicles of Narnia, but have you noticed that an entire nation marked as the enemies of Aslan’s country are identified by their brown skin and culture reminiscent of Middle Eastern countries?

Likewise, the breathtakingly vast and detailed world of Middle Earth inspires many imaginations including mine. But what about the fact that, again, many of the human-like enemies of the good guys (who also happen to be referred to as “Men of the West”) are dark-skinned?

Sometimes people say that these authors were simply a product of their time, and we shouldn’t take these elements too seriously. If Montgomery and Tolkien are products of their time, well, so are we. Today, we know better. Try putting yourself in the shoes of someone of a different culture or with darker skin than yours and then try not to take seriously the fact that books with protagonists like you seem to be the development of recent decades or less, rather than centuries. Try to overlook the fact that most books written about people of color aren’t actually written by people of color.

As a mother and reader, I can think of two things we can do to address this. First of all, welcome and pursue people of different backgrounds. On social media, in stories, person to person. Listen to their voices. It’s not something to check off our list. And obviously you don’t have to be either a mother or a reader to do these things!

Secondly, I think we need to employ critical thinking skills when we read. I’m not going to hide Laura Ingalls Wilder’s books from my children. I’m not going to throw out Tolkien, Lewis, or Montgomery. But understanding how characters are portrayed is important. Understanding cultural context from the author’s point, even in fantasy worlds, is important. My friend and elementary teacher Tamara Russell offers three simple questions to consider when it comes to the voices present in any story. Even if you are not a teacher, you’ll find this (and her blog) to be informative and challenging.

You guys, I still have so much to learn. Sometimes I’m terrified of saying ‘the wrong thing’. I’ll admit I was sad, deeply grieved, when I began to see evidence of  racism in literature. I’d be lying if I said part of that wasn’t  because it be so much nicer/easier if life were simple and racism weren’t a thing? But it is real, people deal with it daily, and I can’t look away. If Jesus came with a message that included liberty for the captives and oppressed (Luke 4:18-19), then I cannot pretend to be blind to systems of thought and acton that uphold oppression. (There’s a lot to unpack there and I don’t have all my thoughts put together yet, but I’m not arguing that Jesus simply came to improve our life’s conditions. I hope that makes sense, but shoot me a question in the comments if it doesn’t.)

Later I’ll write about how these discoveries are influencing me as a writer. For now, here’s a fantastic article written by a woman and mother of color: Does Race Matter if Books, Like Anne of Green Gables, Touch Your Heart? 

As always, I welcome thoughtful, respectful comments and discussions.

4 thoughts on “Through the Magnifying Glass: Racism in Beloved Books

    1. I’m still figuring it out, but at least we can keep our eyes open and our hearts led by grace.

      Funny enough, this picture was taken at the St. Augustine tiny house! I kinda wish it was my journal:) Thanks for stopping by, Liz!

  1. Interesting article, Stephanie. I am translating “Further Chronicles of Avonlea” into German and don’t know what to do with this story.

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